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Production

Camera setup, lighting, audio, and a plan. Come to the stage ready to shoot.

This is a creative service provided by K A R I M.
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Video production
Video

Come to the Table with a Plan

Camera setup, lighting, shot planning, and execution. From multi-million-dollar sets to intimate shoots, the right preparation captures what you need while respecting the limitations of the medium.

Photography
Photo

Purpose, Time, and Place

Three-point lighting, soft focus glass, and purposeful composition. There is an inherent value in having an extremely well-done photo represent your brand, and a clear cost to not having one.

Audio production
Audio

Separate Your Content from the Pack

Custom produced audio tailored specifically to your company or brand. License-free music exists, but the right original sound paired with the right visual is what elevates your content above the rest.

Post-production editing
Editing

Raw Footage to Finished Product

Post-production assembly, color correction, audio sync, and final polish. Knowing how to produce and how to edit are two different skills, and having both at the table changes the outcome.

Ready to bring your production to the next level?

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Experience and History

More than 15 years across sets, stages, and studios

I have worked on multi-million-dollar production sets involving dozens of cast and crew, all needing to be managed simultaneously. That same philosophy carries into event environments where hundreds of staff and attendees have individual needs and schedules that need to align in real time.

I have covered large-scale corporate conferences with small, fast-moving video teams, operating in two-hour shooting blocks across 10-hour days for 4 days straight. Being prepared with interview questions, having the right setup, and staying organized allowed us to capture significantly more content and produce it into rich media. That work contributed to a third consecutive year of triple-digit engagement increases.

I am currently shooting with a Canon 60D with some unique pieces of glass that produce a look I find particularly effective in soft focus. If a project requires a higher scale than what I can do in house, I have worked with dozens of video professionals across the country who I can recommend or bring in to see the project through to completion.

The Details

I know how to set up a 3-point lighting rig in almost any situation with almost any sets of lights.
I know why grips, gaffers, and DPs smoke cigarettes.
I can detect a sound difference up to .04ms.
I have spent tens of thousands of hours training my hearing.
I've transformed ideas into practical and easy-to-understand content.
The amount of times I've been asked to make a data spreadsheet "sexy"... it's more than twice. At least more than twice.