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Production

Camera setup, lighting, audio, and a plan. Come to the stage ready to shoot.

This is a creative service provided by K A R I M.
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Video production
Video

Come to the Table with a Plan

Camera setup, lighting, shot planning, and execution. From multi-million-dollar sets to intimate shoots, the right preparation captures what you need while respecting the limitations of the medium.

Photography
Photo

Purpose, Time, and Place

Three-point lighting, soft focus glass, and purposeful composition. There is an inherent value in having an extremely well-done photo represent your brand, and a clear cost to not having one.

Audio production
Audio

Separate Your Content from the Pack

Custom produced audio tailored specifically to your company or brand. License-free music exists, but the right original sound paired with the right visual is what elevates your content above the rest.

Post-production editing
Editing

Raw Footage to Finished Product

Post-production assembly, color correction, audio sync, and final polish. Knowing how to produce and how to edit are two different skills, and having both at the table changes the outcome.

Audio Engineering & Mastering

Three levels of engineering to get your mix where it needs to be

You brought your track to the finish line. Now let's push it across. Before you play live or publish on streaming platforms, mastering ensures your track sounds balanced and consistent across all audio devices.

It's more than a dB boost. It's making sure your track is competitive with other commercial releases. It's identifying and removing dissonants and artifacts. It's giving the right amount of compression to preserve dynamics while meeting industry standards.

Mastering bridges the gap between what you hear on your monitors and what everyone else will hear on every other speaker your track will touch.

Hear the Difference

Clips from K A R I M & Lee Reynolds - ID

Volume UP!

Keep in mind, these differences are exaggerated with larger, more comprehensive audio systems.

Level 1
Well Done Master
Price: $20

What you get

  • Simple EQ, multiband compression, light saturation, and limiting
  • Track normalized across all sound systems
  • Meets requisite LUFS/dB for live playback

Get your track sounding right for any system: club, headphones, festival rig. This is the foundation. There is a noticeable difference between mastered and unmastered tracks, and that difference is exaggerated on a full sound system. Don't set your track up for failure in the mix!

Level 2
Medium Master
Price: $50

What you get

  • Stem mix and master (up to 10 stems or groups)
  • Individual stem mixdowns, EQ, and compression
  • Completely balanced feel with grouped EQ tweaks
  • Up to 2 revisions

Split it up, balance it out, make everything sit together the way it should. Minor tweaks to grouping and EQ to make sure nothing clashes. AI's are also getting pretty good at this, I can recommend you some, but comeon... do you really want a robot mastering your robot music?

Level 3
Rare Master
Price: $150

What you get

  • Includes everything above and up to 5 revisions
  • Full individual EQ and audio engineering on a layer-by-layer basis
  • Effects, plugins, arrangement, sidechain, limiting, everything

Proper audio engineering is more science than art. I use a sonically treated room for this one. If you prefer a more experienced audio engineer than me, I'm happy to recommend some as well.

Ready to bring your production to the next level?

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Experience and History

More than 15 years across sets, stages, and studios

I have worked on multi-million-dollar production sets involving dozens of cast and crew, all needing to be managed simultaneously. That same philosophy carries into event environments where hundreds of staff and attendees have individual needs and schedules that need to align in real time.

I have covered large-scale corporate conferences with small, fast-moving video teams, operating in two-hour shooting blocks across 10-hour days for 4 days straight. Being prepared with interview questions, having the right setup, and staying organized allowed us to capture significantly more content and produce it into rich media. That work contributed to a third consecutive year of triple-digit engagement increases.

I am currently shooting with a Canon 60D with some unique pieces of glass that produce a look I find particularly effective in soft focus. If a project requires a higher scale than what I can do in house, I have worked with dozens of video professionals across the country who I can recommend or bring in to see the project through to completion.

The Details

I know how to set up a 3-point lighting rig in almost any situation with almost any sets of lights.
I know why grips, gaffers, and DPs smoke cigarettes.
I can detect a sound difference up to .04ms.
I have spent tens of thousands of hours training my hearing.
I've transformed ideas into practical and easy-to-understand content.
The amount of times I've been asked to make a data spreadsheet "sexy"... it's more than twice. At least more than twice.